Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.   Related Paintings of Ignacio Pinazo Camarlench :. | Portrait of Teresa Martinez | Alegoria sobre la vendimia | Retrato del Conde Guaki | Senora de Alvarez | Figura femenina sentada |
Related Artists:
Emile Pinchart
French, 1842 to 1924
Harry Roseland
(c.1867-1950) was one of the most notable painters of the genre painting school around the turn of the 20th century. An American, Roseland was primarily known for paintings centered on poor African-Americans. Roseland was largely self-taught, and never traveled to Europe to study art, as did many of the American artists of his time. However, he did receive instruction from John Bernard Whittaker and later, James Carroll Beckwith. One of his most popular subjects were his paintings of black women fortune tellers who read the palms and tea leaves of white women clients. These paintings were widely reproduced during the early 20th century in the form of postcard sets and large full-colour prints that were distributed as Sunday supplements in newspapers. While known most for his paintings of African Americans, his work encompassed many genres, including seascapes and portraits. He also gained renown for his paintings of laborers in the coastal areas of New England and New York and his many interior paintings. Roseland was born and lived his entire life in Brooklyn.
FALCONE, Aniello
Italian painter, Naples school (b. 1607, Napoli, d. 1656, Napoli). Italian painter and draughtsman. He trained briefly with Jusepe de Ribera, the Caravaggesque Spanish painter. He quickly won fame as a specialist in scenes of battle, and his contemporaries nicknamed him the 'oracle' of this genre. Falcone created the 'battle scene without a hero' (Saxl): he showed the battle as a brutal, confused struggle between anonymous troops, without heroes, without defeats and without particular historical incidents. The Battle between Turks and Christians (1621; Paris, Louvre; see fig.) is one of the earliest. The frieze-like composition is elaborately structured, yet the picture is rich in intensely naturalistic, vividly coloured details of armour and weapons and precisely observed expressions of anger and pain. The famous dealer and collector Gaspar Roomer and other Neapolitan collectors commissioned many battle pictures from him, and these were soon introduced throughout Europe. He was especially favoured by Ferrante Spinelli, Prince of Tarsia, who gave Falcone a residence in his palace after 1651.